This is the theme of a project Eamonn Farrell is currently working on; the frail beauty of the human form and the strength, beauty, power and force of nature, which we abuse and manipulate to its detriment at the same time as depending on it for our existence and survival; 'We need this planet, but it does not need us.'
I spent a day early this month in County Kildare with Eamonn and make-up artist Mary-Anne in woodland, between rocks, by waterfalls, the Bog of Allen, some Mountains which I THINK were called something like 'Blue Sleeve Mountains' (will have to check this!). As usual, I didn't come away from Ireland disappointed by the scenery!
Nor was I disappointed with the hospitality shown by Eamonn and his partner, who let me stay in their home the night before and looked after me very well. Such a pleasure to work with such kind, friendly people. I was also introduced to the pleasures of hot whisky + sugar + cloves + lemon post-shoot. I'm saving that one for the evening after the next freezing cold outdoor location shoot I do, when I feel in the need of a bit of TLC!
Something I always notice about the Irish is that they are extraordinarily polite to strangers. Where I'm from, you never say hello to people you pass in the street and barely even acknowledge their presence. When I went to London for the first time I found people's apparent denaial of the presence of others extreme - as a writer I am fascinated by people and have to tell myself not to look at people opposite me on the tube as I wonder about their lives, etc. - but it's true to a lesser extent in Oxfordshire. The only time you say hello to people you pass is if you're out for a walk in the countryside, and even then it can seem uncomfortable; instead of a hearty 'hello' (or even a 'hallo' if you fall into the 1950s, or happen to pass someone who remembers them), you might get a quiet 'hhnr' in response to your greeting from behind your back - an afterthought. Or you might give a surprised cough/hello a few moments late if you weren't expecting it to be a 'hello' kind of passing and were wrong. In Ireland, I passed a woman on the way out the ladies inside a pub and she said hello in such a friendly way that I wondered if I should know her; this kind of thing happened all the time. It's so nice, and such a shame that we don't seem to have that in England. Then again, according to my Mum, who grew up in Yorkshire (where I was born and lived for six months), it's just a southern thing, which she had to reluctantly adapt to for fear of seeming over-friendly. How depressing!
Anyway, here are two shots from Eamonn:
And a 'behind the scenes' one starring the softest dog I have ever touched. Seriously, he was like a little afro-lamb. He followed us down through woodland and up rocks to a waterfall. Mary-Anne (MUA, in pic) and I feared for his safety as he slipped around on the wet algae-covered rocks, let alone mine! He tried to get in every single shot. This isn't his most dignified pose, and please forgive my 'I'm shooting in the cold, wet forest and must not wear anything which will mark my nekkid skin' outfit:
Welcome to Ella Rose's journal. A supplement to my website, this blog functions as my online story, my photoshoot diary and the best place to see more of my recent work as a professional model specialising in art (figure/life/fashion/beauty), commercial and dance genres. If you like what you find, check back regularly to follow my musings and latest escapades. Your comments are welcome - I hope to inspire. Enjoy!
Monday, 31 May 2010
Friday, 21 May 2010
Mediaeval Studies
I'm making up for choosing not to take that module as part of my English/Philosophy degree four years ago by playing around in some ruins with a sword and plaits in my hair. This was my third shoot with the endlessly energetic and positive photographer Carl Grim. Some results below:
(The above photo reminds me for some strange but persistent reason of the whirling dervishes. I went to a belly/oriental dance show recently and one of the performances involved a girl spinning on stage, all by herself, for the entire length of a track of islamic music. It was quite a strange thing to see. Apparently they spin to reach spiritual ecstasy, with one hand raised to the sky to receive divine light and the other hand to the ground to earth it. Don't say I don't teach you anything, loyal blog readers. A slightly more funky dance pose below.)
(The above photo reminds me for some strange but persistent reason of the whirling dervishes. I went to a belly/oriental dance show recently and one of the performances involved a girl spinning on stage, all by herself, for the entire length of a track of islamic music. It was quite a strange thing to see. Apparently they spin to reach spiritual ecstasy, with one hand raised to the sky to receive divine light and the other hand to the ground to earth it. Don't say I don't teach you anything, loyal blog readers. A slightly more funky dance pose below.)
Labels:
Damsel in Distress,
Dance,
Nude,
Outdoor Location
Wednesday, 19 May 2010
Here are some I made earlier
I can't wait to show the images from my recent shoots in Dublin, as I have a feeling there are some really good 'uns on the way, but, in the meantime, I thought I'd post a few from previous shoots with dbimages in County Wicklow - Des and I were flicking through our previous efforts when I shot with him a couple of weeks ago and discovering all sorts of gems he'd overlooked before (this always happens, I find)... When you work with someone for two days straight (as Des and I usually do), there are WAY too many shots to process, so looking back with fresh eyes is always fun. Anyway, here are a few that slipped through the net first time around, and new shots from the recent trip will be here soon!
Labels:
Ireland,
Nude,
Outdoor Location,
studio
Saturday, 8 May 2010
Carl Grim, featuring Ivory Flame
I'm home from shooting in Dublin (more on that trip at a later date, I'm sure!) and flying to Spain tomorrow, so thought I'd sneak in another quick blog entry while I have the chance. These images were taken in March by photographer Carl Grim in Reading. This was my second shoot with the model Ivory Flame, who remains an inspiration to me as well as now being a friend. Hope you like them!
Labels:
Duo,
Ivory Flame,
Nude,
studio
Monday, 3 May 2010
Suvo Mitra
I recently discovered these shots, taken by Suvo Mitra, on his website. I couldn't resist the urge to ask if I could use them here and in my portfolio and am very grateful that I'm allowed to show them off. I love them!
Saturday, 1 May 2010
'Swan Song', 'To the Distant Beloved' and 'Winter Journey'
I worked recently with Patrick Allen, photographer and classical recording engineer/producer with Opera Omnia Productions on two CD covers. I really enjoyed the afternoon and feel so honoured to be involved in something like this. The two CDs Patrick needed images for are Schubert's Schwanengesang/Beethovern's An die ferne Geliebte and Schubert's Winterreise. The theme was 19th-century romance; unrequited or unnattainable love, and I promised Patrick I would channel the German half of my personality for the Beethoven (My Dad is from Berlin). I love modelling for historical themes - the emotion, costumes and history of it all. I made sure to think wistful, yearning, formal, damsel-ian, lace-filled thoughts as I pondered upon my fine gentleman lover who may or may not have had a trusty steed.
Below are some shots from the day (some of which involved Patrick standing on his roof while I appeared unattainably through the window...and me standing unattainably on a ladder amongst the blossom of a beautiful cherry tree), followed by four draft mock-ups of potential CD covers which Patrick has very kindly allowed me to show already.
We were both pleasantly surprised at how well the furry hood shots came out for Winterreise; shot against a blue screen, the idea was that I would look a tinsy bit mad (not hard with my hair), undone, and that I might later be planted elsewhere (somewhere with a hint of the derelict), but then the simple headshots turned out quite striking, we thought. Mainly, I am just amazed at how much I am becoming my mother (I'm wearing her 1979 Victorian-style wedding dress in some of these shots); in real life we look quite different (she has very dark, straight hair), but certain shots from this shoot show how similar our facial structures are. They say all girls eventually turn into their mother, don't they?!
Below are some shots from the day (some of which involved Patrick standing on his roof while I appeared unattainably through the window...and me standing unattainably on a ladder amongst the blossom of a beautiful cherry tree), followed by four draft mock-ups of potential CD covers which Patrick has very kindly allowed me to show already.
We were both pleasantly surprised at how well the furry hood shots came out for Winterreise; shot against a blue screen, the idea was that I would look a tinsy bit mad (not hard with my hair), undone, and that I might later be planted elsewhere (somewhere with a hint of the derelict), but then the simple headshots turned out quite striking, we thought. Mainly, I am just amazed at how much I am becoming my mother (I'm wearing her 1979 Victorian-style wedding dress in some of these shots); in real life we look quite different (she has very dark, straight hair), but certain shots from this shoot show how similar our facial structures are. They say all girls eventually turn into their mother, don't they?!
Labels:
Bridal,
Dreamy,
Flowers,
Historical,
Outdoor Location,
Portraits,
Publications
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