Thursday, 26 August 2010

Crossroads

I am at a crossroads. Or, rather, I am at a multi-shooted roundabout, much like the scary one I used to dread when driving to Nottingham during my first year at university, via Coventry/Leicester; as a new driver; I never knew with 100% certainty that I was in the right lane.

I have so many thoughts running around my brain in the moment, and have had for quite a few weeks/months now. Hope you don't mind my indulgence here, dear readers.

I've had some amazing news recently; first, the novel I finished in April (my first) has led to me signing for official representation by the first agent I contacted. When I listened to them talk at a university event, my impression (and reason for contacting this particular agency, their amazing client list aside) was that they genuinely care about the writing and writers they represent, and my experience so far has backed this up. This week, my novel is being considered by four publishing houses. I've been warned that the process/response can take months (years, in some cases!) and, of course, the state of the publishing industry is dire, and rejections are rife, so it's time to direct my attention elsewhere, think of other things and start new projects.

The thing is, as occurred to me yesterday, I am now, at the age of 24, at the first ever point of my 'career' being entirely independent from my education. I started my novel as part of my Masters degree in Creative Writing last year and it grew from there into a full-blown project. Where will the next novel grow from? 'Myself', is probably the answer. I suppose 24 might sound quite old to be only just feeling this particular type of independence, but you have to understand, I've been in education my entire life. I LOVED school; I was reading independently at the age of 3 (I have a vivid memory of my Mum taking me into school to read to a teacher, probably to ask whether I was some kind of freak, or at least whether I should start school sooner than I was due to; I think I read something in the Peter and Jane series, sitting on the grassy bank of the school path as the summer holidays were due to start). I read Roald Dahl's 'Matilda' at the age of six in one day. I have absolutely no idea why I was never bullied for being such a school-lover; I wore glasses, had a frizzy mop of hair (no change there, then!) and apart from being chucked out of my form at 16 for preferring half-an-hour's sleep over registration, and told off by teachers most days for my love of jewellery and non-regulation clothes, I just wanted to learn everything I possibly could.

It took me until the end of university, around two years ago, to realise I could call myself artistic. My best friend at secondary school was 'the artistic one'; we were a great team for school projects (I would do the words, and she would draw beautiful pictures), and I think it's too easy to define yourself as what you are not and to fit yourself around the other people you encounter (identity is not fixed, after all). Now, this friend has a successful career in the sciences, while I float around within artistic-based fields. Even with my music and dance, I never thought I was artistic as a child; the idea had never occurred to me. Even now, as I write this, I have to fight off a bit of an inner cringe at describing myself as being creative, while recognising that I have always been an idiot, really, for imagining I wasn't.

So now, I am between projects; it's an exciting time, and my boyfriend of six-and-a-half years left yesterday night to be a boy adventurer around SE Asia for 3 months. I had thought I'd be going with him, and had cleared my schedule for some exotic adventures from September onwards, but it turns out that it wasn't meant to be something we do together. I want to travel before the end of the year, though, and have been looking into alternative ways I can do some of my own - I've been looking online at things like dance retreats and intensive french courses. I haven't found anything yet, but I think I'll be busy, and have had some amazing modelling offers over the last week or so, let alone there being the new novel I want to start researching for. I also want to take some time just de-cluttering my room(s), reading some amazing books and writing some good-old-fashioned lists (I'm cool like that). But it's a strange feeling when someone who has been your best friend and lover for your entire adult life so far takes himself off for a while. We're both aware that it feels unnatural, physically painful and as though we are going against nature in ripping apart something that has fused itself together, but that it's also, objectively speaking, a very positive thing for us to do, future-wise, and a stark reminder that we are individuals; by the time he's back I think things will feel clearer, one way or another. Anyway, I've always been very goal-orientated, and I hate to feel as if I'm not making the most of my potential, skills and interests, so these next few months are going to be interesting. Beneath the flux and change, and while winding around the unknown, I feel calm, deep down, and have felt stronger than ever in my faith in myself and the reality around me.

I suppose what it comes down to is this: I'm sure that, whatever happens, I'm already in the right lane and I'm giving way to the right.

...And here's the advert for a CD with my face on, photography by Patrick Allen at www.operaomnia.co.uk. I think I look suitably wistful. :-)

Friday, 20 August 2010

Fashionesque with Karl Baxter & Becky Hunting

I've just been sent these files from Karl Baxter, from a shoot we did earlier this month. Although I was initially quite surprised when he contacted me, as I'm not known for being a fashion model, he said he was interested in working with me precisely because I had a much softer look than the models he usually works with, and his enthusiasm really rubbed off on me. I love to work with people who are really open about wanting to shoot with me and just get on with the planning with no faffing around or playing it too cool; I find it really inspiring to be believed in! The results are so different for me (and for him!). The clothes are a mixture of Poof and my own. Make up and massive afro (I had to readjust my normal notions of the size of my own head when posing, hoping it was all getting in the frame, and couldn't help touching my own hair between sets, marvelling at its birds nest-like texture...) by the wonderfully talented Becky Hunting. I hope you like these shots! Comments/likes/dislikes welcome as always.

Monday, 16 August 2010

Fri 13th... Not so unlucky!

I worked with Michael for the second time, at a beautiful late Georgian, early Victorian house in Wiltshire. Although the weather wasn't exactly on our side (downpours all day!), you just can't go wrong in such an amazing location. Michael's style thrives on soft, natural light and the beautiful, rustic 'shabby chic', furnishings and features of the house were just perfect for someone who places such importance on location (much of Michael's work is travel photography). He's very kindly sent me some images from the day:

Wednesday, 4 August 2010

Commercial/lifestyle with Chris Rout

I'd be meaning to work Chris Rout for over a year before I finally got around to it. I needed some lifestyle shots for my commercial agencies and have always admired the incredible way Chris captures light; his work is so fresh and natural, which was exactly what I needed, so the 5-hour trip (each way) to Middlesbrough was well worth the time and effort. I couldn't believe how quickly he worked. We got through over 20 sets, I think, with many of them finished within just 3-4 shots! Chris also needed some natural-looking stock styles (many of which I haven't included here), so it was a great exchange.

Also, in case you missed it on my rather smug (sorry!) facebook status (page here), the hotel I stayed in before the shoot had a cancellation and I was offered a free upgrade to an enormous room with two beds (one being a double four poster), gorgeous antique-looking furniture and a stained glass bay window. Brilliant! I hardly ever stay in hotels, so it's always quite a novelty anyway.

Back to the images. I won't lie, there's a lot (A LOT) of cheese here. Good, wholesome 'don't you just love life?' stuff... Brace yourselves!

(... And as you can see, I'm struggling to limit these down to just a few favourites. As the whole idea of commercial/lifestyle portfolio shots is for the potential client to see what you would look like in a given 'scenario', it's all about seeing/showing yourself in different ways and from different points of view... So thoughts and opinions are very welcome, as always.)

Kicking off with 'Casual Ella':

'Purple Dress (dangerously close to editorial but not allowing ourselves to go there for more than a couple of shots) Ella':

'Health and Beauty Ella' (including 'my elbow hurts'):

'Catalogue Ella':

'Hanging out in lingerie Ella' (kicking off this time with 'my stomach hurts'/'perhaps I'm pregnant'):

'Office Ella' (including 'let's talk business' Ella and my personal favourite, 'really really excited, office has won the lottery' Ella):

'Safari Ella':

'Mumsy Ella':


'Bikini Frolics' and 'Action Ella':

And 'Ballerina Ella':

What a productive day!